Why I said goodbye to large print
Gone forever: the large print edition of Ghosts of the Past goes out of print in favour of a larger text regular paperback edition.
Ever since I first published the original edition of The Great Succession Crisis, there has always been a large print edition for my books. It is something I believe in as a low vision author, an accessible resource making reading easier.
Sadly, large print remains the dark child of the publishing industry. Retailer websites bury large print editions. In the 2 1/2 years since initial publication of the initial version of The Great Succession Crisis not once was either GSC or Ghosts’ large print edition attached to or promoted with its digital edition. Large print editions are not eligible for the Amazon matchbook program. They are, like many foreign language editions, put away where no one can find them unless the customer is absolutely determined to get to it anyway.
This of course creates a hassle — for both me as the author and you as the reader. No one wants that. We want finding a great book in the format we prefer to be effortless. Buying the book should never be difficult nor should it ever be difficult for the author to offer readers choices.
This hassle of course also meant that I was not able to keep up with the updates I am compulsively known for. Snatch up one of my books early enough and you may well be treated to a collector’s item. Thanks to the wonders of print-on-demand publishing I am able to tweak and prune and reformat as much as I want to until my inner perfectionist is perfectly happy.
And so today I make a compromise: my paperback editions are now and shall henceforth be printed in 16 point font — larger than the industry standard of 11 or 12 point for traditional paperbacks — and a tiny bit smaller than the 18 point that makes a book large print.
Like all compromises, it is perhaps imperfect. But in taking the middle ground I make buying books simple and easy. What more can you want?